This is a Tribute S-500 in blueburst with rosewood fretboard. Tribute makes guitars in Korea for G&L, which was founded by the same men that founded Fender. Its still a pretty well made guitar, despite being their cheaper model. The pickups are still American made I believe, and all of the hardware is identical to the US versions. I put locking tuners on it to keep it in tune better. This picture really doesn't do the color justice either. Its a very deep blue/black fade. This is my #1 electric currently and it sounds great. It was a graduation present from my parents. (thanks!)
I bought this bass after I got my second paycheck. I went to Caruso Music in New London and wanted to pick up a bass guitar. They had this one used for $250 with a case. Its a Fender (made in Mexico) jazz bass, fretless. It came with flat-wound strings which I really like. I haven't played enough basses to make any useful comparisons, but I really like this one. The fretless aspect is pretty cool to me. Its not as hard to play as I was expecting. I quickly got used to not having frets and I like the upright-style sound that comes along with it.
This is my resonator. I bought it off ebay for $80 a couple years ago. It has since become my #1 acoustic. It has a harsher, more metallic sound than a regular acoustic, but I kind of like that. It definitely has an edge to it. Its good for playing slide too, which I do occasionally, but I'm not very good at.
This is my frankenpaul. I call it that because its made from pieces of 2 guitars that I used to own. The body is from an Epiphone Les Paul Special II, my first electric guitar. It really wasn't anything special at all. Solid, but the neck wasn't very nice. The neck on the frankenpaul comes from a 1970's Japanese (probably made by Aria) clone of a Gibson 335/345. I really liked the neck on this guitar. It looks nice with the inlays and has low frets, just the way I like. The body from the 335 was cracked and the string tension was tearing it apart, so I retired the guitar. One day I was bored and tried combining the neck from the 335 with the body from the les paul. I had to re-drill some holes, and pray, but it seems to have worked. The gold-colored pickups are Stewart McDonald golden age pickups. I don't use this guitar all that often just because I like my strat more, but when you need a les paul, there is no substitute. Usually I keep it in an open tuning for slide/blues playing, which makes it really shine.